The study explores the impact of digital authoring and hypertext on manuscript studies, proposing a theory of manuscript "transmediations" to understand the relationship between material and digital artefacts.
The consolidated approaches on manuscript studies involving the analysis of material artefacts are challenged
The mapping between digital and material artefacts outlines a theory of manuscript "transmediations" identifying where and how manuscripts cues are reflected in digital technologies
We elaborate the requirements of a hypertext "genre" for digital manuscripts that supports reconciling the open-ended collaborative process of curation with the need for a coherent narrative addressed to the broader public
The study explores the impact of digital authoring and hypertext on manuscript studies, proposing a theory of manuscript "transmediations" to understand the relationship between material and digital artefacts.
The key findings include the development of a theory of manuscript "transmediations" and the identification of parallels between material manuscripts and hypertext features.
The consolidated approaches on manuscript studies involving the analysis of material artefacts are challenged
The mapping between digital and material artefacts outlines a theory of manuscript "transmediations" identifying where and how manuscripts cues are reflected in digital technologies
We elaborate the requirements of a hypertext "genre" for digital manuscripts that supports reconciling the open-ended collaborative process of curation with the need for a coherent narrative addressed to the broader public
The objectives of the study are to investigate the nature and relations of native-digital manuscripts and to develop a theory that accounts for digital artefacts within the field of manuscript studies.
The methods used in the study involve case studies and analyses of digital transitions to develop the theory of manuscript "transmediations".
The results of the study include a discussion on key challenges and future directions for scholarly editions of digital manuscripts.
The conclusions drawn from the study emphasize the need for a hypertext "genre" for digital manuscripts that supports reconciling the open-ended collaborative process of curation with the need for a coherent narrative.
The limitations of the study are not explicitly stated, but the need for further investigation into the nature and relations of native-digital manuscripts is implied.
The future work suggested by the study involves further development of the theory of manuscript "transmediations" and exploration of the requirements for a hypertext "genre" for digital manuscripts.
The practical applications of the study include the development of new methodologies for analyzing digital manuscripts and the creation of a hypertext "genre" for digital manuscripts that supports collaborative curation and coherent narrative.
material artefacts outlines a theory of manuscript "transmediations
how manuscripts cues are reflected in digital technologies
This theory is developed through case studies and analyses of digital transitions