{"abbreviations":{},"aggregated_contexts":{},"claims":[],"contexts":[],"equations":[],"facts":["He is the author of two books on Walter Benjamin","search Search Dropdown Menu toolbar search input Search input auto suggest filter your search is only available as a PDF"],"findings":["The individual is an expert in cultural theory and the history of photography, has written two books on Walter Benjamin, and serves as the General Editor of Benjamin's Selected Writings."],"headline":"The history of photography in the German Department at Princeton. He is the author of two books on Walter Benjamin, and serves as the General Editor of Benjamin's Selected Writings","key_statements":["Cultural theory, and the history of photography in the German Department at Princeton. He is the author of two books on Walter Benjamin (Dialectical Images, Cornell University Press, 1987; and, with Howard Eiland, A Life of Walter Benjamin, forthcoming), and serves as the General Editor of Benjamin's Selected Writings"],"keyword_relevance":{},"keywords":["Site Google Scholar","Walter Benjamin","Cornell University Press","Technological Reproducibility","cultural theory","Howard Eiland","Dialectical Images","Michael W. Jennings Michael W. Jennings","benjamin","German Department"],"metadata":{"abstract":"April 01 2010 The Work of Art in the Age of Its Technological Reproducibility [First Version] Walter Benjamin, Walter Benjamin Search for other works by this author on: This Site Google Scholar Michael W. Jennings Michael W. Jennings Michael W. Jennings teaches literature, cultural theory, and the history of photography in the German Department at Princeton. He is the author of two books on Walter Benjamin (Dialectical Images, Cornell University Press, 1987; and, with Howard Eiland, A Life of Walter Benjamin, forthcoming), and serves as the General Editor of Benjamin's Selected Writings. His published work includes articles on the theory of art history, modernism in its relationship to capitalist modernity, Weimar culture, and the photo-essay. Search for other works by this author on: This Site Google Scholar Author and Article Information Walter Benjamin Michael W. Jennings Michael W. Jennings teaches literature, cultural theory, and the history of photography in the German Department at Princeton. He is the author of two books on Walter Benjamin (Dialectical Images, Cornell University Press, 1987; and, with Howard Eiland, A Life of Walter Benjamin, forthcoming), and serves as the General Editor of Benjamin's Selected Writings. His published work includes articles on the theory of art history, modernism in its relationship to capitalist modernity, Weimar culture, and the photo-essay. Online Issn: 1536-0105 Print Issn: 1526-3819 \u00a9 2010 by Grey Room, Inc. and the Massachusetts Institute of Technology.2010 Grey Room (2010) (39): 11\u201337. https://doi.org/10.1162/grey.2010.1.39.11 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Walter Benjamin, Michael W. Jennings; The Work of Art in the Age of Its Technological Reproducibility [First Version]. Grey Room 2010; (39): 11\u201337. doi: https://doi.org/10.1162/grey.2010.1.39.11 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. \u00a9 2010 by Grey Room, Inc. and the Massachusetts Institute of Technology.2010 Article PDF first page preview Close Modal You do not currently have access to this content.","affiliations":["Cornell University"],"author":"Walter Benjam\u00edn; Michael W. Jennings","cited_by":87,"cited_by_api_url":"","date":2010,"full_date":"2010-04-01T00:00:00Z","identifiers":{"doi":"10.1162/grey.2010.1.39.11","pmcid":"","pmid":"","url":"https://doi.org/10.1162/grey.2010.1.39.11"},"journal":"Grey Room","language":"en","message":"Document contains no extractable text","page":"11-37","source":"OpenAlex","title":"The Work of Art in the Age of Its Technological Reproducibility [First Version]","type":"article","volume":"39","word_count":"363"},"participants":[],"populations":[],"prevalence":[],"processes":[],"reference_links":[],"sections":{"future_work":[],"limitations":[]},"species":[],"statistics":[],"structured_content":[],"structured_summary":{},"study_features":{"snapshot_conclusions":[],"snapshot_methods":[],"snapshot_results":[]},"summary":[],"unstructured_content":null}